Brown, Clive / Costa, Neal Peres Da / Wadsworth, Kate Bennett
Performing Practices in Johannes Brahms' Chamber Music

Edition no.：BA09600
ISMN：9790006560004

Detailed product information：
Language(s) of text：English, German
Product format：Book
Binding：Stapled
Pages / Format：70 S. - 31,0 x 24,3 cm

Bärenreiter’s pioneering scholarly-critical editions of Brahms’ works for one instrument and piano (BA 9429, BA 9430, BA 9431, BA 9432, BA 9433, BA 10911, BA 10908, BA 10907, BA 10906) are edited by a team of musicologists who are also performers. They offer today’s musicians not just a reliable musical text based on all known sources, but also a comprehensive approach to the works, which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.

An integral part of Bärenreiter’s Brahms publication complex is this text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo, rubato, rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato, portamento and bowing. Last but not least characteristics of Brahms’ own piano playing as well as that of his circle and contemporaries are discussed.

Bärenreiter 針對一種樂器和鋼琴的勃拉姆斯作品的開創性學術批判版（BA 9429、BA 9430、BA 9431、BA 9432、BA 9433、BA 10911、BA 10908、BA 10907、BA 10906）由一組音樂學家編輯他們也是表演者。它們不僅為今天的音樂家提供了基於所有已知來源的可靠音樂文本，而且還為作品提供了一種全面的方法，旨在將它們置於其歷史背景中，並闡明作曲家希望他的樂譜傳達的複雜含義表演者。

Bärenreiter 的勃拉姆斯出版綜合體的一個組成部分是這本教科書，它探討了 19 世紀的一般表演實踐問題，例如：節奏，節奏，節奏的靈活性和清晰度。此外，音樂家會發現有關顫音、滑音和弓法的寶貴信息。最後但並非最不重要的是討論了勃拉姆斯自己的鋼琴演奏以及他的圈子和同時代人的特點。

·Composer / Author:Brown, Clive
General Issues of Performing Practice

·Composer / Author:Brown, Clive
String Performing Practice

·Composer / Author:Costa, Neal Peres Da
Performing Practice in Piano Playing

·Composer / Author:Wadsworth, Kate Bennett
Brahms and the Cello
·Composer / Author:Brown, Clive
Epilogue

·Composer / Author:Brown, Clive
Allgemeine Aspekte der Aufführungspraxis

·Composer / Author:Brown, Clive
Streicher-Aufführungspraxis

·Composer / Author:Costa, Neal Peres Da
Pianistische Aufführungspraktiken

·Composer / Author:Wadsworth, Kate Bennett
Brahms und das Cello

·Composer / Author:Brown, Clive
Nachwort

 

“This is work that will be invaluable to violinist preparing the concerto and reprensents a gold standard to others undertaking critical performance editions.”
(Claire Holden, Brio Summer 2019)

“With the publication of these editions, Bärenreiter has undoubtedly offered a wealth of new insights and interpretive possibilities to performers, particularly to those devoted to high textual standards and a nuanced, historical approach to Brahms’s works for violin and piano, based on sources contemporary with the composer. All five of these volumes share one goal: allowing today’s performers an approximation of the style and aesthetic practiced by the musicians in Brahms’s circle. The entire set of scores is supported by a supplemental volume, Performance Practices in Johannes Brahms’ Chamber Music. Together these publications form a challenging and helpful resource. … Where possible, Brown draws sensible conclusions, derived from extensive research in numerous primary sources, but where necessary, he presents conflicting evidence so that the final choices and interpretive decisions remain with the performer who is thus more than well equipped to make informed decisions.”
(Katharina Uhde, Nineteenth-Century Music Review May 2019

„The author brings different, but complementary insights to the volume and hopefully many performers will feel empowered to experiment with aspects of 19th-century style as a result of this work.“
(Claire Holden, BRIO [IAML UK] Summer 2019)

“這對小提琴家準備協奏曲來說是非常寶貴的，它代表了其他人進行重要演奏版本的黃金標準。”
（克萊爾霍爾頓，Brio 夏季 2019）

“隨著這些版本的出版，Bärenreiter 無疑為表演者提供了豐富的新見解和解釋可能性，特別是那些致力於高文本標準和對勃拉姆斯小提琴和鋼琴作品進行細緻入微的歷史方法的人，基於同時代的資料作曲家。這五卷都有一個共同目標：讓今天的表演者接近勃拉姆斯圈子中的音樂家所實踐的風格和美學。整套樂譜由補充卷“約翰內斯·勃拉姆斯室內樂演奏實踐”提供支持。這些出版物共同構成了具有挑戰性和有用的資源。 ……在可能的情況下，布朗從眾多主要來源的廣泛研究中得出了明智的結論，但在必要時，他提出了相互矛盾的證據，以便最終選擇和解釋性決定由表演者做出，因此他們完全有能力做出明智的決定。 ”
（Katharina Uhde，19 世紀音樂評論，2019 年 5 月

“作者為這本書帶來了不同但互補的見解，希望許多表演者能夠通過這項工作而感到有能力嘗試 19 世紀風格的各個方面。”
（克萊爾霍爾頓，BRIO [IAML UK] 2019 年夏季）