Mozart: Concerto for Piano and Orchestra in C minor, K. 491

Introduction:
Wolfgang Amadeus Mozart's Piano Concerto No. 24 in C minor, K. 491 is considered one of his most expressive and powerful works. Completed on March 24, 1786, this concerto is one of only two that Mozart composed in a minor key, showcasing his deep emotional range and complex musical language. The dark and dramatic nature of this piece stands in contrast to many of his lighter, more lyrical piano concertos, making it a favorite among pianists and music scholars.

Performance Notes:

• First Movement: Allegro
  The first movement is characterized by its intensity and dramatic contrasts. Written in sonata form, it opens with an orchestral introduction that presents the main themes, which are later explored and developed by the piano soloist. The movement is rich in harmonic tension and expressive depth.

• Second Movement: Larghetto
  This movement provides a stark contrast to the first, with its serene and lyrical character. Written in E-flat major, the piano introduces a delicate, flowing melody, while the orchestra provides subtle harmonic support. The movement exudes a sense of introspection and calm.

• Third Movement: Allegretto
  The final movement is structured as a theme with variations, set in C minor. Each variation explores different textures and instrumental dialogues, culminating in a dramatic and compelling conclusion. The movement’s dark intensity and intricate structure make it one of the most remarkable finales in Mozart’s piano concertos.

About the Composer:
Wolfgang Amadeus Mozart (1756–1791) was one of the most influential composers of the Classical era. His works include symphonies, operas, chamber music, and concertos, many of which remain central to the classical repertoire. Known for his ability to combine expressive melody with formal precision, Mozart’s compositions continue to inspire musicians and audiences worldwide.

Edition Details:
This BÄRENREITER URTEXT edition of Piano Concerto in C minor, K. 491 is edited by Hermann Beck. The Urtext edition ensures an authentic interpretation based on Mozart’s original manuscripts and historical sources. This study score provides a reliable reference for performers, scholars, and conductors.

Table of Contents:

1. Full Score (Study Score, Urtext edition)
   Includes the complete orchestral score, allowing for in-depth study and performance preparation.

Book Details:

• Publisher: Bärenreiter
• Series: BÄRENREITER URTEXT
• Instrumentation: Piano solo, Orchestra
• Language: English/German
• Product Format: Study score, Urtext edition
• Difficulty Level: Advanced
• Binding: Stapled
• Edition Number: TP00063
• ISBN: 9790006200511
• ISMN: 9790006200511
• UPC: Not available
• Pages/Format: X, 78 pages – 22.5 x 16.5 cm
• Weight: 183 g

Prices and availability subject to change without notice.

莫札特：C小調鋼琴與管弦樂團協奏曲，K. 491

簡介：
沃夫岡·阿瑪迪斯·莫札特的C小調第24號鋼琴協奏曲，K. 491，是他最具戲劇性與表現力的作品之一。此曲完成於1786年3月24日，是莫札特僅有的兩首小調鋼琴協奏曲之一，展現出他極具深度的情感表達與豐富的音樂語言。這首協奏曲以其陰鬱與激昂的特質，與莫札特其他較為優雅、輕快的鋼琴協奏曲形成鮮明對比，是鋼琴家與音樂學者鍾愛的經典作品。

演奏提示：

• 第一樂章：快板（Allegro）
  此樂章以強烈的戲劇性與對比鮮明的音樂語法聞名。樂章採用奏鳴曲式，由管弦樂團引入主要主題，隨後鋼琴獨奏接續發展。整體樂思充滿緊張感，和聲變化豐富，展現出非凡的音樂張力。

• 第二樂章：廣板（Larghetto）
  與第一樂章的激昂形成對比，此樂章以降E大調寫成，帶來平靜且抒情的氛圍。鋼琴獨奏呈現優美流暢的主題，管弦樂團則以細膩的和聲襯托，使整體音樂呈現出寧靜與內省的情感。

• 第三樂章：小快板（Allegretto）
  此終樂章為主題與變奏形式，主題設定在C小調，每個變奏皆展現不同的音色與樂器對話，並最終以戲劇化的方式收束全曲。此樂章的深沉情感與精妙結構，使其成為莫札特所有鋼琴協奏曲中最獨特的終曲之一。

作曲家介紹：
沃夫岡·阿瑪迪斯·莫札特（1756–1791）是古典時期最重要的作曲家之一，其創作涵蓋交響曲、歌劇、室內樂與協奏曲等多種類型，至今仍為音樂界的經典之作。莫札特擅長結合抒情的旋律與嚴謹的結構，影響深遠，至今仍啟發無數音樂家與聽眾。

版本介紹：
此版本的C小調鋼琴協奏曲，K. 491，由BÄRENREITER URTEXT系列發行，由**赫爾曼·貝克（Hermann Beck）**編輯。原典版基於莫札特的原始手稿與歷史資料校訂，提供最忠於作曲家原意的演奏文本，是鋼琴家、指揮與學者的重要參考版本。

目錄：

1. 總譜（指揮總譜，原典版）
   收錄完整的管弦樂總譜，適用於指揮與音樂學習者深入研究與分析。

書籍詳細資料：

• 出版社： Bärenreiter
• 系列： BÄRENREITER URTEXT
• 樂器別： 鋼琴獨奏，管弦樂團
• 語言： 英語/德語
• 產品屬性： 指揮總譜，原典版
• 難易程度： 高級
• 裝訂： 騎馬釘裝訂
• 版號： TP00063
• ISBN： 9790006200511
• ISMN： 9790006200511
• UPC： 無
• 頁數/尺寸： X, 78 頁 – 22.5 x 16.5 公分
• 重量： 183 克

價格與供應情況可能會有所變動，恕不另行通知。