商品描述

Johann Baptist Vanhal : Double Bass Concerto

Double Bass and Piano – Classical Period

About Editor/Fingering/Bowing:

This Piano reduction, Urtext Edition, paperbound is edited by Tobias Glöckler, who also provided the specialized double bass fingerings, bowings, and cadenzas. The piano reduction is by Christoph Sobanski.

Description:

Following Dittersdorf and Hoffmeister, Johann Baptist Vanhal's sole double-bass concerto is a definitive highlight of the classical bass literature. Transmitted via a manuscript owned by the legendary virtuoso Johannes Sperger (1750–1812), the work presents unique editorial challenges regarding historical additions and octave transpositions. Editor Tobias Glöckler resolves these dilemmas by providing a musical text outstandingly prepared for the modern performing artist, balancing scholarly accuracy with practical performance needs.

Features:

  • Dual Key Piano Reductions: Includes piano parts in both C major and D major, facilitating performances in both solo and orchestral tunings.
  • Viennese Tuning Support: Offers a specialized part in fingering notation for the historical "Viennese tuning" (A-d-f#-a) common in Vanhal's era.
  • Urtext Standard: Based on the Sperger manuscript, addressing historical octave transpositions and solo part additions.
  • Performance Material: Includes original cadenzas specifically tailored for the double bass.

Performance Tips/Difficulty:

This concerto is a virtuoso work that demands a high level of technical proficiency. The inclusion of the fingering notation part allows players to experiment with historical resonance without the need for extensive retraining. Performance in the original Viennese tuning is highly recommended for those seeking an authentic period timbre. For those using modern tuning, the C major and D major reductions provide the necessary flexibility for various performance settings.

About Composer/Editor:

Johann Baptist Vanhal (1739–1813) was a prolific contemporary of Haydn and Mozart. Editor Tobias Glöckler is an internationally recognized specialist in double bass literature, known for bridging the gap between historical research and professional performance practice.

Contents:

  • Double Bass Concerto

Details:

  • Item number: HN 979
  • ISMN: 9790201809793
  • Pages: 93 (IX+38+16+30)
  • Size: 23,5 x 31,0 cm
  • Weight: 397 g

★ Prices and availability subject to change without notice ★



約翰·巴普蒂斯特·萬哈爾 : 低音提琴協奏曲

低音提琴與鋼琴 – 古典時期

編輯、指法、弓法介紹:

本 Piano reduction (鋼琴縮譜), Urtext Edition (原典版), paperbound (平裝) 由 Tobias Glöckler 擔任編訂，並提供低音提琴指法、弓法及裝飾奏。鋼琴縮譜由 Christoph Sobanski 編製。

簡介:

繼狄特斯多夫與霍夫邁斯特之後，萬哈爾唯一的低音提琴協奏曲為古典低音提琴文獻增添了另一抹亮色。這部炫技作品僅透過著名低音提琴家 Johannes Sperger (1750–1812) 所擁有的分譜複本流傳，由於聲部中存在許多後世添加（特別是關於八度移調的部分），引發了不少學術討論。在此 Henle 原典版 中，編者 Tobias Glöckler 為此難題提出了理想的解決方案，提供了極其適合演奏實踐的音樂文本。

產品特點:

  • 雙調性鋼琴縮譜：同時印製 C大調與D大調 的鋼琴伴奏譜，可配合「獨奏調音」或「管弦樂調音」使用。
  • 維也納式調音支持：特別設計了採用指法記譜法的額外分譜，專供萬哈爾時代常用的「維也納式調音」（A-d-f#-a）使用。
  • 原典學術標準：基於 Sperger 的手稿進行校訂，釐清歷史上的八度移調與聲部添加問題。
  • 歷史調音即刻使用：演奏者無需經過繁瑣的重新訓練，即可直接使用具共鳴感的歷史調音進行演奏。

演奏提示:

這是一部極具炫技性的作品，對演奏者的技術有很高要求。隨書附帶的指法記譜分譜是一大特色，讓現代演奏者能輕鬆嘗試歷史上的「維也納式調音」。C大調與D大調 鋼琴譜的彈性配置，確保了本版能適應各種不同調音習慣的演出場合。

作曲家與編者介紹:

約翰·巴普蒂斯特·萬哈爾 (1739–1813) 是海頓與莫札特時代極具影響力的作曲家。編者 Tobias Glöckler 是享譽國際的低音提琴專家，其編訂工作兼具學術深度與演奏現場的實用性。

收錄曲目:

  • 低音提琴協奏曲

書籍詳細資料:

  • 商品編號：HN 979
  • ISMN：9790201809793
  • 頁數：93 (IX+38+16+30)
  • 尺寸：23,5 x 31,0 cm
  • 重量：397 g

★ 價格與供貨情形如有變動，恕不另行通知 ★