Johann Sebastian Bach : Harpsichord Concerto no. 1 in D minor, BWV 1052

Piano Reduction (2 Pianos, 4 Hands) – Baroque Period

Description:

Bach's harpsichord concerti, extremely popular among pianists, are presumably reworkings of pieces originally written for the violin. Bach, however, succeeded in transferring the diverse idiosyncrasies of violin technique to the keyboard with such ingenuity that most of today's pianists also include these concerti in their standard repertoire. The first concerto in d minor is perhaps the most popular – not least because of its jaunty outer movements and the eminently forceful solo part. Now, as a prelude to a series of all of Bach's harpsichord concerti, G. Henle Publishers presents a piano reduction and study edition (score) of the d-minor concerto. Two copies are needed for performance.

Product Features:

• Authentic Keyboard Work: Bach successfully transferred the demanding technical style of the violin to the keyboard, making this concerto a staple for pianists.
• Authoritative Urtext Edition: The score is based on meticulous scholarly research, ensuring accuracy and reliability.
• Expert Fingering: Includes fingerings by Michael Schneidt, offering practical guidance for the technically demanding solo part.
• Performance Format: Published as a piano reduction (two copies needed for performance), making it suitable for concerto performance and practice.

Performance Tips:

The concerto is characterized by its dramatic intensity, particularly in the outer movements. Pianists should focus on achieving a powerful, yet articulate touch, mimicking the strings and the "forceful" nature of the solo line. The Adagio requires a profound, lyrical expression. Coordination between the two players is paramount to differentiate clearly between the orchestral tutti and the keyboard solo sections, bringing the concerto structure to life.

Contents:

• Harpsichord Concerto no. 1 d minor BWV 1052

About the Composer & Editors:

Johann Sebastian Bach (1685–1750) is considered the Alpha and Omega of all music. His harpsichord concerti are cornerstones of the keyboard repertoire. The editing team includes Matan Entin and Norbert Müllemann (Editor), Johannes Umbreit (Piano reduction), and Michael Schneidt (Fingering).

Product Details:

• Composer : Johann Sebastian Bach
• Editor : Matan Entin, Norbert Müllemann
• Piano Reduction : Johannes Umbreit
• Fingering : Michael Schneidt
• Publisher : G. Henle Verlag
• Series : Henle Urtext
• Instrumentation : 2 Pianos, 4 Hands (Piano reduction)
• Product Type : Urtext Edition, paperbound
• Item Number : HN 1380
• ISMN : 9790201813806
• Pages : 55頁 (V+50)
• 尺寸 : 23.5 x 31.0 cm

★ Prices and availability subject to change without notice ★

約翰·塞巴斯蒂安·巴赫 : D小調第一號大鍵琴協奏曲，作品1052

鋼琴縮譜（2台鋼琴，4手聯彈）– 巴洛克時期

簡介:

巴赫（Johann Sebastian Bach）的大鍵琴協奏曲極受鋼琴家歡迎，推測是將原為小提琴創作的作品進行了改編。然而，巴赫成功地將小提琴技巧的各種特點巧妙地轉移到鍵盤上，使得現今大多數鋼琴家也將這些協奏曲納入標準曲目。D小調第一號協奏曲也許是最受歡迎的一部——尤其以其活潑的外樂章和極具力量的獨奏部分而著稱。現在，作為巴赫所有大鍵琴協奏曲系列的前奏，G. Henle出版社推出了這部D小調協奏曲的鋼琴縮譜及學習版本（總譜）。演出需要兩份樂譜。

產品特點:

• 真實的鍵盤作品: 巴赫巧妙地將小提琴的要求移植到鍵盤上，使這部協奏曲成為鋼琴家的基石。
• 權威原典版: 樂譜基於學術性的來源審查，確保了音樂文本的忠實與可靠。
• 專家指導: 包含米夏埃爾·施奈特（Michael Schneidt）提供的指法，為高難度的獨奏部分提供實用指導。
• 宏偉的巴洛克作品: 協奏曲以其活潑的外樂章和充滿力量的獨奏部分而聞名，極具舞台效果。

演奏提示:

演奏這首協奏曲時，鋼琴家必須在整體上創造出明確的區別，以模仿「全奏」（tutti）與「獨奏」（solo）的結構。外樂章要求強勁的節奏能量和清晰、分明的指法。柔板樂章則要求深沉、抒情的表達。兩位演奏者之間的協作至關重要，要精確區分樂隊與獨奏鍵盤的聲部，使協奏曲的結構得以清晰呈現。

收錄曲目:

• D小調第一號大鍵琴協奏曲 BWV 1052

作曲家與編者介紹:

約翰·塞巴斯蒂安·巴赫（Johann Sebastian Bach, 1685–1750）被公認為所有音樂的開端與終結。他的大鍵琴協奏曲是鍵盤曲目中的基石。編訂團隊包括馬坦·恩廷（Matan Entin）和諾伯特·穆勒曼（Norbert Müllemann）（編者），約翰內斯·溫布雷特（Johannes Umbreit）（鋼琴縮譜）和米夏埃爾·施奈特（Michael Schneidt）（指法）。

書籍詳細資料:

• 作曲者 : 約翰·塞巴斯蒂安·巴赫
• 編者 : 馬坦·恩廷，諾伯特·穆勒曼
• 鋼琴縮譜 : 約翰內斯·溫布雷特
• 指法 : 米夏埃爾·施奈特
• 出版社 : G. Henle Verlag
• 系列 : Henle Urtext
• 樂器編制 : 2台鋼琴，4手聯彈（鋼琴縮譜）
• 產品類別 : 原典版，平裝
• 商品編號 : HN 1380
• ISMN : 9790201813806
• 頁數 : 55頁 (V+50)
• 尺寸 : 23.5 x 31.0 cm

★ 價格與供貨情形如有變動，恕不另行通知 ★