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With this one-movement Concertino, Oskar Rieding turns to already advanced students of the violin. Aside from playing in third position, it also requires a considerable degree of dexterity and mastery of bowing. The Hungarian style” mentioned in the title alludes to the fact that Prussian-born Rieding gave more than three decades of service at Budapest’s National Theatre. Its marked rhythms recall Hungarian folk music and will appeal to more spirited young violinists. The Slovenian Rieding specialist Maruša Zupan i contributes an interesting preface on the little-known composer to this Urtext edition: the markings in the solo part are provided by the experienced violinistEvelyne Grüb-Trauer. 


Oskar Rieding的這部單樂章Concertino，專為高階小提琴學生設計。

不僅需要演奏第三把位的技巧，還要求演奏者具備高度的靈活性與熟練的運弓技術。

標題中提到的「匈牙利風格」源於這位出生於普魯士的作曲家曾在布達佩斯國家劇院服務超過三十年的經歷。作品中鮮明的節奏感深受匈牙利民間音樂的啟發，非常適合熱情洋溢的年輕小提琴家。

此原典版（Urtext Edition）收錄了斯洛文尼亞里丁專家Maruša Zupan撰寫的關於這位鮮為人知的作曲家的有趣前言，並由經驗豐富的小提琴家Evelyne Grüb-Trauer對獨奏部分進行專業標註。